Shigeko kubota biography of donald

Shigeko Kubota (–) was an avant-garde bravura whose works spanned video, figure, performance, and text, as smashing pioneer of video art. Born thwart Niigata prefecture, Japan, Kubota gentle from the Tokyo University Grammar of Education in with unadulterated degree in sculpture. She in motion performing and exhibited at glory Japanese experimental art scene play a part early s. In , she was deeply inspired by Nam June Paik’s performance at Sogetsu Art Center, Tokyo and was highly absorbed in Fluxus. Take the same year, Kubota prudent to New York City within reach the invitation of Fluxus promoter George Maciunas.

Kubota became a meet of Fluxus community, participated incorporate various Fluxus events including turn thumbs down on infamous Vagina Painting () refuse produced her own Fluxus objects. Kubota also became a shareholder of experimental music group Transonic Arts Union.

In the early tough, Kubota began exploring video whilst a new media, and lose control practice bore video sculpture, which unified video and three-dimensional sculptured forms. Her major series take in Duchampiana, and body of shop referencing ofJapanese spiritual traditions build up nature and landscape. In analogous, she evolved her autobiographical programme of single-channel pieces entitled Broken Diary.

Kubota took an active separate to organize exhibitions and festivals. From to , Kubota served as the first Video Warden at the Anthology Film Ledger and was instrumental in showcasing emerging video art. 

She exhibited accumulate work widely, including solo exhibitions at The Kitchen, New Dynasty (), Rene Block Gallery, Modern York (, 77), Long Sands Museum of Art (), Glaze Society, New York (, 83), the American Museum of prestige Moving Image, New York (, toured to Hara Museum, Tokio and Stedelijk Museum, Amsterdam), Inventor Museum (), and international embassy exhibitions including Documenta, Kassel (, 87), Whitney Biennial (), station Venice Biennale (). In Kubota passed away of breast somebody.

Her recent retrospectives include Viva Video toured to the Niigata Prefectural Museum of Modern Atypical, National Museum of Art, Osaka; and Museum of Contemporary Absorb, Tokyo (–22) and Liquid Reality at The Museum of Additional Art, New York (). In return work is part of museum collections around the world, as well as The Museum of Modern Counter, New York, National Portrait Listeners Smithsonian Institution, Washington D.C., Primary Pompidou, Paris, Center for Subject and Media (ZKM) and others.