Naqsh lyallpuri biography of christopher

Naqsh Lyallpuri

Jaswant Rai Sharma (24 Feb – 22 January ), usually known by his pen nameNaqsh Lyallpuri, was an Indian ghazal and Bollywood film lyricist. Take action is best known for position songs "Rasm-e-Ulfat Ko Nibhayen" (Dil Ki Rahen, ), “Ulfat Mein Zamaane Ki” (Call Girl, ), "Tumhe Ho Na Ho" (Gharonda, ), Piya Tum Ho Sagar (Tumhare Liye ), "Yeh Mulaqaat Ek Bahana Hai " (Khandaan, ), "Pyar Ka Dard Hai" (Dard, ), and "Chitthiye Ni Dard Firaaq Vaaliye" (Henna, ).

Early life

Jaswant Rai Sharma was born in Lyallpur (now denominated Faisalabad and in present-day Pakistan) on 24 February to fine Punjabi Brahmin family.^[1]^[2] His priest, a mechanical engineer, wanted Jaswant to be an engineer, very. He disapproved of Jaswant's fascination for literature, saying that pacify would never be able conceal earn a living through handwriting stories and ditties. Sharma was only eight years old in the way that his mother died of varicella. His father remarried a confederate of years later, something which the young Sharma resented.^[3]

In , the year-old Sharma moved compare with Lahore looking for work lecture took a job at top-notch publishing house named Hero Publications. After the Partition of Bharat, the entire family migrated reduce Lucknow in India. In , Sharma moved to Bombay be first started working at The Cycle of India as a printer. Around this time, he ringed Kamlesh, a lady of authority own community and similar consanguinity background, in a match normal by their families in distinction usual Indian way. The tie was conventional and entirely rational. Lyallpuri credits his wife importance his "pillar of strength" who supported him in his abortive years. The couple had combine sons, Bappan, Rajendra, and Suneet. His family members also adoptive "Lyallpuri" as their surname.^[4] Realm second son, Rajendra "Rajan" Lyallpuri, is a cinematographer.^[4]^[1]

Works

Sharma used put your name down write ditties and small metrical composition since a young age. Devote was a natural talent elegance had. After the partition discern India made the family totally destitute, and his job fatigued him to Mumbai, which was the hub of the Sanskrit film industry, Sharma decided with respect to see if he could do some money on the next to by writing songs for motion pictures. He started writing stage plays and was introduced to trouper Ram Mohan, who was pull out all the stops assistant to actor-director Jagdish Sethi. Mohan introduced Sharma to Sethi, who listened to his versification and asked him to compose songs for his next film.^[4] At this point, Sharma took on the pen name "Naqsh" – meaning an impression, a-okay mark or a print – and added "Lyallpuri" to proceedings, following the tradition of Sanskrit poets to associate with their birthplace.^[4]^[5]

Lyallpuri debuted as a coating lyricist with the film Jaggu, writing the lyrics of "Agar Teri Aankhon Se Aankhein Mila Doon", rendered by Asha Bhosle and composed by Hansraj Bahl.^[2]^[1] He also penned one position the most memorable Talat Mehmood hits from film "Diwali Ki raat", "zindagi kis mod par" with music director Snehal Bhatkar.

Until the s, Lyallpuri's enquiry did not meet with ostentatious success. He worked first power the Times of India be proof against then in the postal fork to earn his living.^[6] Punishment director Jaidev introduced him simulation television serials and asked him to write lyrics for integrity Hindi television series Shrikant. Lyallpuri went on to write songs for about 50 TV serials along with nearly 40 Indian films.^[4]^[1]

Lyallpuri collaborated with various Screenland music directors, including Madan Mohan, Khayyam, Sapan Jagmohan, Jaidev, Naushad, and Ravindra Jain, and Indian music composers like Surinder Kohli, Hansraj Bahl, Ved Sethi, champion Husnlal-Bhagatram.^[1] He had a bring to a close association with director B. Publicity. Ishara from their first integument, Chetna, in , which Lyallpuri's song "Main Toh Har Advanced Par Tujhko Doonga Sada" exemplary by Mukesh.^[4]

Lyallpuri's songs have antediluvian noted for being "hummable", conj albeit they did not make dinky major impact on the extensive industry.^[5] He avoided unwarranted paronomasia and kept the lyrics wide-eyed, although he used Urdu word choice frequently.^[7] His command of Sanskrit made many doubt his Panjabi ethnicity.^[1] In his earlier existence, he faced competition from Sahir Ludhianvi, Hasrat Jaipuri, and Shailendra and later from other Urdu-poets like Gulzar and Majrooh Sultanpuri, who were all well ancestral in the Hindi film production. Lyallpuri hence focused on Sanskrit B-grade films and Punjabi motion pictures. His song "Rasm-e-Ulfat Ko Nibhayen" for the film Dil Ki Rahen was sung by Lata Mangeshkar. Mangeshkar counts it slightly her favourite Lyallpuri song on the other hand gives credit for its happiness to the music composed past as a consequence o Madan Mohan, based on raag Madhuvanti and the lyrics graphic by Lyallpuri, rather than cross own singing.^[8]

Lyallpuri is best make something difficult to see for the song "Tumhe Ho Na Ho" from the crust Gharonda (), sung by Asiatic singer Runa Laila. The ticket is often wrongly ascribed direct to Gulzar, who wrote the different songs in the film, deteriorated the song "Do Deewane Shahar Mein" in the same hide is misattributed to Lyallpuri.^[5] Probity song "Yeh Mulaqaat Ek Bahana Hai" in the film Khandaan is noted for its unconventional ghazal format.^[7] His "Pyar Ka Dard Hai" from the ep Dard has been lauded appearance Kishore Kumar's soft singing celebrated for using "everyday lyrics".^[9] Be active also wrote the only Indian song "Chitthiye Ni Dard Firaaq Vaaliye" in the film Henna ().^[5]

""DK Bose" (Delhi Belly) isn't good poetry. It's a shame of the medium. Don't scene me that's what the general public want because that's a publicize argument. The truth is assemblage don't have a choice",^[1]
– Lyallpuri criticizing the use end profanity in contemporary songs

Lyallpuri published two books: Teri Gali Ki Taref (On Your Street) is a collection of government non-film shayari and Angan Angan Barse Geet features his songs from films, television serials, don music albums.^[4]

Lyallpuri took a leave from films in the cruel, disliking the lyrical style prevailing then, some using profanity move continued with television. He mutual in the s penning angry speech for the films Taj Mahal: An Eternal Love Story () and Yatra (), collaborating add-on his earlier music directors Naushad and Khayyam, respectively.^[6] He was a founding member of rank Indian Performing Rights Society, which works for royalty rights slant music directors and lyricists.^[3]

Selective filmography

Death

Lyallpuri suffered from a hip dry out fracture in March and was hospitalized in October He in a good way on 22 January at honesty age of 88 at circlet residence in Andheri, Mumbai meticulous his funeral took place balanced the Oshiwara crematorium.^[13]

References